Olivia Berkowicz


Decolonizing Architecture: Experimental Sites of Knowledge Production, Royal Institute of Art, Stockholm2019Introduction to Contemporary Arts and Politics, Valand Academy, Gothenburg University2014–2016
Curating Art: International Master’s Program, including Management and Law, Stockholm University2015–2016
Philosophy in the Context of Art, Royal Institute of Art, Stockholm2010–2013
BA History of Art, Goldsmiths, University of London


Now that’s what I call an artist’s residency! PRAKSIS, Oslo (Upcoming)

Professional Work

Project manager at Grafikens Hus, Södertälje
2017–2018Co-curator with Joanna Nordin of Mending a Broken World – Lenke Rothman, Alina Chaiderov, Sörmlands Museum, Nyköping2018
Moderator of panel discussion with Mattin, Rasmus Fleischer and Astrid Grelz, Sensory Futures, Stockholm2017
Participation in Ecology of Words workshop, HIAP, Helsinki2017
Curator and producer of Clusterfuck, BFA Degree Show, Royal Institute of Art, Stockholm2017Lecturer on exhibition practice at Gerlesborgsskolan, Stockholm2016
Participant in Marvin Gaye Chetwynd’s performance The Elixia App (Episode One), Bergen Assembly, Bergen
Production Assistant Intern at Göteborg International Biennial for Contemporary Art (GIBCA), Gothenburg
Programme Assistant Intern at Index – The Swedish Contemporary Art Foundation, Stockholm2015
Press Assistant Intern at Polish Institute, Stockholm2012
Programme Intern at the Adam Mickiewicz Institute, Warsaw
2011Intern for Documentations and Archive Department, Ujazdowski Castle for Contemporary Art, Warsaw


“’When a Game is Just a Game It’s No Fun.’ A Study of Play and Space in Andrzej Wajda’s film Innocent Sorcerers.” KAJET Journal (2017).2017
“Ecologies of Care and Intimacy – Curatorial Practices in the Capitalocene.” Stockholm University, 2017. Master’s Thesis.