LENKE ROTHMAN
Att hopfoga den sönderfallande världen
JUNE 14–SEPTEMBER 1 2018
Solo retrospective
The Living History Forum
Stockholm, Sweden
Solo retrospective
The Living History Forum
Stockholm, Sweden
With a career that spanned over more than 60 years, artist Lenke Rothman (1929–2008) positioned herself as a pioneering voice in Sweden and abroad.

Lenke Rothman, Fetisher mot onda ögon, 1984
Photo: Beata Cervin
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Exhibition view, Forum för levande historia, Stockholm, 2018
Photo: Beata Cervin
Photo: Beata Cervin

Exhibition view, Forum för levande historia, Stockholm, 2018
Photo: Beata Cervin
Lenke Rothman grew up in a Jewish Hasidic home in Kiskunfélegyháza, Hungary. In 1944, Lenke Rothman and her family were deported to Auschwitz by the Nazi regime. Before her liberation in Bergen-Belsen 1945, Rothman had survived three concentration camps and lost eight out of her ten family members in the Holocaust. After her liberation, at 16 years of age she arrived to Sweden severely ill with tuberculosis. During her time in sanatoriums, she began what was to become a long and important career within the arts in Sweden.
Lenke Rothman’s life and practice was characterised by an intense preservation of objects, memories and fragments. The exhibition focuses on remembrance and art as a healing process, but also presents the scope of Rothman as a visionary poet.
Lenke Rothman’s life and practice was characterised by an intense preservation of objects, memories and fragments. The exhibition focuses on remembrance and art as a healing process, but also presents the scope of Rothman as a visionary poet.
Installation viewPhoto: Beata Cervin
Installation view, Lenke Rothman, Spår – ett minnesmärke, 1995Photo: Beata Cervin

Exhibition view, Forum för levande historia, Stockholm, 2018
Photo: Beata Cervin
Photo: Beata Cervin
NOTES
The exhibition is produced by Sörmland Museum in collaboration with the Living History Forum as part of the exhibition project Lenke Rothman: Mending a broken world.
CURATORS
Joanna Nordin and Olivia Berkowicz
GRAPHIC DESIGN
Aron Kullander-Östling
PHOTO
Beata Cervin
SELECTED PRESS
︎Svenska Dagbladet
︎Dagens Nyheter
CURATORS
Joanna Nordin and Olivia Berkowicz
GRAPHIC DESIGN
Aron Kullander-Östling
PHOTO
Beata Cervin
SELECTED PRESS
︎Svenska Dagbladet
︎Dagens Nyheter